Tuesday 30 March 2010

Adults Vs Club.the.Mammoth (Mar 31st - The Macbeth, Hoxton, London)

March 2010 will end in a rather suitably ferocious fashion tomorrow evening as clubs Adults go head-to-head with the kings of shellshock, Club.the.Mammoth.
Opening the night to return to the live end fore will be the quiet wonderful Cold in Berlin. The Mile End based quartet were featured in an interview on Easy Music... last week (check it out here); where they shimmied me with dazzling opinion and intellect, before killing me and serving me roasted to confused seven year-old children, who seemed convinced that I was just some fat, rancid ugly pig. The stink lines from my overcooked buttocks was quite telling.

Anyway, beyond the trail of death and destruction, the show will also feature manic post-punk noise of Red Drapes and Jumping Ships. Once the live music is over with, Club.the.Mammoth and Dice Club will round out the night with sweet tuneage from the golden age of pop - of course that could just be bullshit.
Doors are at 8pm (I think) and it is free in. Whoever was it that said there was nothing to do on a Wednesday in London..?

Red Drapes MySpace
Jumping Ships MySpace
Cold in Berlin MySpace
Dice Club MySpace
Club.the.Mammoth MySpace



Leigh

Saturday 27 March 2010

Video: So Cow "Shut Eye"

Tuam-esque guitar type person, So Cow has just launched the video for "Shut Eye" - a cut from his latest album Meaningless Friendly. The album was released on the Totally Tic-Tac label last month and TTT have pressed a special 300 copy run of the album - buy it now and get a special bonus EP to go with. However, if that is a bit much for you, a regular CD version will be coming out soon.
"Shut Eye" takes us on a four-minute trip through the world of insomnia and both song and video accurately represent just that feeling - I ought to know... Anyhoo, if you are unsure, the video (directed by Cian McGarrigle) is directly below...
So Cow is currently touring in the US with some UK dates coming up in April. The special edition LP of Meaningless Friendly can be bought here.

So Cow "Shut Eye"

So Cow - Shut Eye from Cian McGarrigle on Vimeo.

28 Mar 2010 21:00
Farm 255 Athens, Georgia
28 Mar 2010 23:30
Nasty World Athens, Georgia
29 Mar 2010 20:00
Tipsy Teapot Greenville, North Carolina
30 Mar 2010 20:00
Snug Harbor w/ SISTERS Charlotte, North Carolina
31 Mar 2010 20:00
Layabout House @ 2702 Lawndale w/ SISTERS Durham, North Carolina
1 Apr 2010 20:00
Black Cat w/ SMITH WESTERNS Washington, Washington DC
2 Apr 2010 20:00
Ruintown Baltimore, Maryland
3 Apr 2010 20:00
Terrace Club w/ Garotas Suecas Princeton, New Jersey
4 Apr 2010 20:00
Mercury Lounge w/ Smith Westerns New York, New York
7 Apr 2010 20:00
Death By Audio w/ BABIES Brooklyn, undefined
18 Apr 2010 20:00
Sonic City Festival curated by DEERHOOF Kortrijk, Belgium, Brussels-capital
24 Apr 2010 20:00
Sex Is Disgusting (w/ MAZES) Brighton, South
25 Apr 2010 20:00
Home Under Ground (w/ MAZES) London, London and South East
26 Apr 2010 20:00
TBC (w/ MAZES) TBC
27 Apr 2010 20:00
Stag’s Head (w/ MAZES) London, London and South East
28 Apr 2010 20:00
Now Wave (w/ MAZES) Manchester, Northwest
29 Apr 2010 20:00
Weirdo Guise (w/ MAZES) Leeds
30 Apr 2010 20:00
Three Cheers (w/ MAZES) Nottingham


Leigh

Friday 26 March 2010

Interview: Cold in Berlin

I saw them once. Twice! Three times and liked them in the same way that I like strawberry milkshakes gently sculpted over my fat, beef layered body!! In November, Cold in Berlin released their début single - What Went Wrong? // Destruction - before playing one last show before Christmas and then... silence.
However, now the four-piece have returned from the cold (see what I did there? If this were Pun City, I'd be a fucking skyscraper) and are only too happy to this rambling chumbler about names, drummers, bassists, songs, the future and York.


First things first I suppose, how did you originally get, started way back when.
Adam: We met in York. We became friends and went to gigs and clubs together. Pigs in Leeds was a hot bed of creativity, the NME ran a few features on the scene and bands and coined I♥NY as in North Yorkshire. But after every fun night we had to return to sleepy old York where nothing was happening. So we started making music together and putting on our own club nights.

You are a female-fronted four-piece rock band based in East London - has that led to prior judgements from people about your musical stylings and what genre you may or may not represent or do you find audiences more open and receptive to what you have to offer?
Maya: Yeah, we tend to get pigeon holed before people have heard us or seen us live, but people always have expectations don’t they? I hope that live, we offer an experience that will alter any prejudices.
Adam: We give everything to our live shows and I think audiences can’t help but be receptive to the exhaustive effort we put into entertaining regardless of the sex of the performer.

Regarding both your music and lyrics, do you have a specific set of musical influences or are you driven by personal ideologies that form what is now your “style”? Could you describe your songwriting process and how it has evolved over time?
Adam: We always write together, when we started Maya and I were both inspired by the DIY lo-fi attitude of anti-folk. We had no full band and no where to record but at home.
Maya: Sometimes we have something in mind and sometimes things come more organically. Songs can evolve out of a beat, a guitar line or a set of vocals.
Adam: We pride ourselves on not sounding like our influences. Personally I spent 5 years learning how to play the guitar and the next 5 unlearning it. I wanted to find my own sound.
Maya: I am not sure we have a conscious style. We all have very different influences and actually, I think, we try to bring as few musical influences as possible into what I do in the band- we are trying for something that is our own really.

When Cold in Berlin started, what was it that connected you as a group and what is it that holds you together now?
Maya: That is a tricky question because when you start out you don’t really know where it might take you or who you will meet to help you make that final sound. Adam and I have always written songs together, ever since we became friends so noise definitely connects us and probably always will do.

Originally you were called Death Cigarettes, but changed to the current moniker last summer - what prompted the name change and why 'Cold in Berlin’?
Maya: We had been writing as Death Cigarettes for a while we needed a change, we were writing much more interesting, darker songs, we dropped the poppy keyboards and our live shows had evolved. It felt like a change was needed.
Adam: We spent a joyous but freezing October in Berlin.

Many artists have stated that changing their name can be just like starting a new band - did you come across this feeling when you became Cold in Berlin or was it simply a case of carrying on as you left off?
Adam: To revise history a bit here, our old rhythm section departing and the name change happened relatively close together. A name change seems totally appropriate now and it has been very liberating.
Maya: The change marks the birth of a mature perspective on ourselves and our place in the industry.

As just stated, another big alteration for the band has been the change in your rhythm section – how has that affected how you go about things in terms of songwriting? Has the renewed line-up altered the chemistry / dynamic of the band and if yes, how so?
Maya: Adam and I often brought the basis of the songs to rehearsals, so that chemistry remains. But I have always enjoyed an organic song writing process.
Adam: Our new rhythm section, Milts (drums), Bozley (bass), were writers in past projects and eager to create in Cold in Berlin. I cannot wait to début the new sound emerging from us, it’s darker, heavier… more assured.

Are the old songs still fresh and relevant to the band now or has even their sound and meaning been changed irrevocably?
Maya: Everything feels fresher actually, we had to work hard to find two people who were great musicians and also had a strong idea of what it is we wanted to record and continue to make. I feel very lucky to have found them.
Adam: The songs feel even more relevant thanks to the players bringing their own personality and ability to the parts. They have been given a new lease of life, I didn’t think it was possible but, it’s more fun to play most of them now, with a tight powerful rhythm section behind them. We couldn’t have recorded them all for our album in the space of a week if it weren’t for the talent of the new members.

Your 2009 EP, “Destruction / What Went Wrong?” was an excellent piece of work that garnered much praise. When your one your releases gathers good press, how do you follow that up?
Adam: An improvement… something that doesn’t sound the same.
Maya: Yeah, just keep our evolving our sound in the right direction.

Are there any more planned releases for Cold in Berlin and if so, when can we expect to hear/see them available?
Adam: Our next single ‘White Horse/Your Noise’ should be out around the end of May. It will be followed by the album Give Me Walls in July.

Your first show since just before Christmas is at the Macbeth in Hoxton Street on March 31st for an Adults Vs Club.The.Mammoth show - how are you approaching this show after a relatively long period of inactivity and do you have any other gigs lined up thereafter?
Maya: We recorded our album in February so it doesn’t feel like we were inactive. We were rebuilding and planning the year ahead with our label 2076records. There’ll be more shows announced very soon.
Adam: Having to wait for our first gig, both of the year and with the new rhythm section, has just made me more hungry for it . We are all really looking forward to headlining the massive rave in Peckham on 1st May London is Dead IV. It’s going to be well pagan!

Lastly, your thoughts on what Cold in Berlin mean to you now and where you wish to be in March 2011.
Adam: Cold in Berlin means the world to me because it is the creative expression of the friendship of my life.

Cold in Berlin will be opening 'Adults Vs Club the Mammoth' on Wednesday March 31st at the Macbeth in Hoxton (click on the map to the left) - it's free in and doors are about 8ish. The show, which is promoted by the rather wonderful Islington Boys Club also features the noise of Red Drapes and Jumping Ships with DJ sets from Dice Club and Club.The.Mammoth.
Cold in Berlin will be headlining London is Dead 4 with Ultra Bohemian Death Cult on May 1st in Peckham. I was at LiD 3 and it was a fucking great - this should surely be the same.

What Went Wrong // Destruction can be bought from Play.com, HMV.com an iTunes. Easy Music was interwebbing with the delightful Adam and Maya.
Cold in Berlin MySpace

31 Mar 2010 20:00
Adults vs. CLUB.THE.MAMMOTH. @ The Macbeth// FREE ENTRY Hoxton
1 May 2010 3:00
LONDON IS DEAD IV - ULTRA BOHEMIAN EXISTENTIAL DEATH CULT - ALL NIGHT MAY DAY RITUAL GATHERING. Peckham


Leigh

Wednesday 24 March 2010

Review: The Ambience Affair "Patterns"

Following on from their 2009 release Fragile Things, Irish duo the Ambience Affair return with their next four-track effort, Patterns and one can instantly hear where Jamie Clarke and Marc Gallagher have upped their game. Gone are some of the lo-fi folkish elements and in come some intricate instrumental touches - even the vocals take a slightly wider berth as the instrumentation garners more attention and love. Rather than pen obvious songs with obvious structures, they build short brooding numbers that creep up gather momentum; however where many artists would get lost in their own musical loop, the Ambience Affair make this method work for them and it works very well indeed.

The opening silo, "Devil in the Detail" showcases more punch where previously a subtler approach may have prevailed. It has in turn been matched by an equally stunning video by Souljacker Ltd, who painstakingly pieced together 15,000 shots from a Canon 400D DSLR to create a piece that is somewhat reminiscent to the video "There, There" by Radiohead - if only in daunting mood as opposed to style and finesse.
The only issue that I can find with this EP is at times, the songs are possibly too short to allow the tracks to develop far beyond their original parameters, but one must also take into account that this was most likely the original premise.
With Patterns, the Ambience Affair gather together four intricate pieces of music with their deft arrangements and makes them sing. I am often very critical of Irish artists for not being in any way creative; however the Ambience Affair do not fall into that bracket - if anything, they are quite the opposite. Good stuff.
Buy Patterns at Indiecater Records // The Ambience Affair MySpace

Rating:
4 out of 5

The Ambience Affair - Devil in the Detail from Souljacker on Vimeo.




Leigh

Tuesday 23 March 2010

Alan Tischmarch plus Julie Peasgood plus Kelvin MacKenzie equals Twats

C&VG's Tim Ingham was very brave to appear on the Alan Tischmarch show at the end of last week to talk briefly about the video gaming industry; whereby he was cornered on screen and subjected to one of the most vitriolic and one-sided "debates" that I have had the misfortune to witness in quite a time.

It must be acknowledged that two anti-games interviewees (the cranium defying Julie Peasgood and the festering lump of shit that is Kelvin MacKenzie) cheerfully ignored the fact that games - like movies and retail/rental DVD's - have had age certificates for a very long time by repeatedly citing that children are playing violent games. Someone must inform him that these games do not fall into their hands by accident and to blame the industry is to ignore the role of parents in the matter; however to then bring Jon Venables into the equation out of thin air just smacked of puerile headline grabbing bullshit fit for some drunk propped up on a stool with no legs.

One must also love the deeply brainless fuckwits in the crowd happily cheering the vacant rants of Peasgood, whilst delighting in the fact that she is just as horrifying as that woman in the Simpsons who keeps shouting "won't somebody please think of the children..?" I can sense the lack of intellectual activity in those idiots from here, but that's no surprise, is it?
Peter Chapman from gaming website The Sixth Axis wrote a wonderful letter of complaint here - I suggest people have a look for it is quite excellent. ITV - fuck off!!




Leigh

Friday 19 March 2010

Butterfly Explosion: Debut Album and Irish Tour

Dublin post-rock band, Butterfly Explosion, will be releasing the CD version of their début album, Lost Trails, from Thursday March 25th. The long-player was released on iTunes just over two weeks ago, just ahead of their current adventure in the United States, where they performing shows at the prestigious SxSW festival.
As soon as they are back on Irish soil, the four-piece group will be preparing for a short Irish tour that will take in dates in Dublin, Galway and Cork - although it is unknown if any other shows will be added at this stage. Lost Trails can also be found at the Butterfly Explosion's website, along with more details of upcoming shows and general stuff. I have heard a number of the songs over time and they're pretty damn good and are currently acting as a nice distraction, as for some strange reason The-fucking-Corrs' song "Breathless" is doing repeat laps in my head. Now doesn't that make you feel nice and giddy.
Butterfly Explosion website // MySpace
Buy Lost Trails here


3 Apr 2010 20:00
Whelans DUBLIN
9 Apr 2010 20:00
Roisin Dubh GALWAY
10 Apr 2010 20:00
Crane Lane Theatre CORK


Leigh

Tuesday 16 March 2010

Jedward Dropped by Sony; Fights the Power of Good

…and so the world breathes again. Reports are filtering through from the red tops today that music’s version of epilepsy, Jedward, have been dropped by the mammoth entertainment machine, Sony. Following a début single that performed rather poorly, despite their X-Factor status, the major may have decided to cut their losses and not bother with a full length album.

While interesting to look at, in the same way that a brutal car crash grabs one attention with gusto, Jedward were most certainly not a listenable artefact. They may end up presenting some nauseating children’s show whereby the presenters shout like drunken dickheads whilst scaring the shit out of bug-eyed children or possibly they’ll serve undercooked burgers in McDonald’s for the rest of their lives.

Truth is, as entertaining as they appeared on television; there was simply no talent to back up drive that the duo received. In terms of contestants, X-Factor had a dreadful year in 2009, as passionless warbler followed passionless warbler down the corridors the corridors of Sony’s brutal slayer pit of short lived stars.

I could be wrong though – they may eventually end up on an episode of Transformers, whereby the duo morph into the mighty Decepticon, "Jedlour" and smash their way through some nameless metropolis in a bid to defeat the Autobots and enslave humanity. Before we know it, we will all be mining various sections of our polluted planet as The Almighty Jedlour crave the minerals that will deliver Universal wealth and respect. That is until under the leadership of Leighus-Maximus, the humans rise up to defeat THE ALMIGHTY JEDLOUR in a spectacle so soaring, so beautiful that it fills the night sky with a glorious orange glow that touches the hearts of the triumphant populous and soothes the coos of recently born children.

All hail the fallen JEDLOUR.



Leigh

Review: She & Him "Volume Two"

As noted by many a word peddler before me, second albums are odd little things. They can be wonderful breakouts from early works that have already amassed appeal or they can be the confirmation of limited artistic scope. Volume Two from indie-pop-folk duo, She & Him, nearly falls into the latter.
Following what can only be described as a breezy début, Volume Two continues with some of the more folksy musings as displayed on Volume One, but incorporates dashes of country music leanings to the mix also. It is something that is quite apparent on the opening salvo, "Thieves" - a jaunty number that is as quaint, lush and contagious as Mary Mallon on a busy day. While "Thieves" soars, sweeps and swoons majestically, its taste soon turns rather bitter as the album continues.

Much of the mixtures of modern folk, pop and country are quite polite to listen to, but fail to truly engage or inspire - the songs may well be finely constructed and layered; however Volume Two suffers from being absent of hooks and depths. It is an accusation that can be levelled at the opening single, "In the Sun" - while a credible song, it is not something that latches onto the memory once it finishes.
What is clear on Volume Two is that Deschanel is a lot more busy that she was on She & Him's début as she has taken the lead in songwriting duties, while compatriot Matthew Ward settles into the role of arranger and producer. Unfortunately, Deschanel's vocals are on occasion the weak link; although she is a very good singer, her stylings seem to drift from odd doo-wop harmonies to country twangs to folk rambling without much consistency.
At times, listening to Volume Two is kind of like being trapped in a happy factory where all the disciples of a religious cult possess frighteningly vacant smiles on the faces only moments before they knock back a poisonous elixir of eternal life. With thirteen songs in 43 minutes, there is a lot in this; however after the initial rush of the first half of the album, it struggles to maintain interest although the occasional droughts are broken by encouraging samples, such as the wonderfully quaint "Home" and the perfectly simplistic "Brand New Shoes". The cover of NRBQ's "Ridin' in my Car" and the Skeeter Davis song "Gonna Get Along Without You Now" are nice additions, but also unnecessary and simply adds to the filler in Volume Two.

For all intents and purposes, She & Him's second effort is not bad - it is a nice album with nice ideas that are maybe none too plentiful and spread out over too many songs. If this album were a weapon, it would be the pillows from Monty Python's "Spanish Inquisition" sketch; however if this were a relaxing Sunday afternoon, it is exactly what a listener might want.
She & Him Website // She & Him MySpace
She & Him - Volume Two (available from April 4th in the UK)
Rating: 3 out of 5

She & Him "In the Sun"



Leigh

Monday 15 March 2010

The Lament of St Patrick's Day

My turn to be a sourpuss on this Monday evening. As most know full well, this coming Wednesday is the lamentable St Patrick's Day holiday - a day which sees many people determined purely to get bollocked on alcohol.
Sadly, this has become the new New Years Day, whereby shit "niteklubs" make you fork out an extra £1.50 for beer and insist on the playing the fucking Pogues, Planksty, Christy Moore or the Wolftones for hours on fucking end. The aim of the modern holiday is purely to make sure everyone gets so utterly ratfucked on booze that vomiting on the shoes of some unconscious homeless person will be seen as a sign of success. Well-fucking-done, but excuse me as I relieve myself from your annual sick parade.

As far as party experiences go, March 17th is dreadful without fail. From shit tasting green beer to surly looking morons that insist on Guinness once a year to overpriced nightclubs and to undercooked burgers an chips, this has all the interest of a hungry cannibal in a rose garden. Once again I will give this "holiday" a miss.
Pour on top that, moronic quips from moronic dipshits declaring "top of the mornin' to you" or "how's the craic?" as if casual wankerism was suddenly fashionable deep in the smouldering pothole of civilisation. Nothing about St Patrick's Day is a celebration of being Irish, but an excuse to choke on your own sick while lying face down in the gutter whilst getting mugged by the aforementioned homeless person, because he has not eaten all day.
If this truly is one of the highlights of Irish culture and society, then I shall gladly - and repeatedly - disown it. and I only feel sorry for those that revel in it. Now it's time for some tea.


Leigh

Saturday 13 March 2010

Channel One (The Button Factory, Dublin; March 19th)

Shortly after next week's St Patrick's Day celebrations, there will be inevitable calls for bodily regrouping following the copious amount of alcohol intake on the day itself and the copious amount of vomiting the following morning and afternoon. With that in mind, one of Dublin's premier electronic band's, Channel One, have been kind enough to organise a live show for Friday March 19th in the Button Factory in Temple Bar to kick the city populous out of their hungover state.
They will be supported by the kind-hearted Patrick Kelleher and the otherworldly non-pensioner that is Hunter-Gatherer. A chap from Antics will DJ afterwards (say hooray).

Channel One's 2009 début album, Sound to Light, was quite a nice little aural endeavour that was some years in the making and if you do not have it yet, I encourage you get it now. See, turns out I'm not a bastard after all... Add to that, Channel One have also released a track to the wild on their Facebook page - just join up as a fan and reward yourself with a free aural goodie.
Doors are at 8pm and the show shall run to a sickening 3am, where no doubt the inner circle of Temple Bar will become a maze of drunks and Heineken tainted sick steeped in the doomed excrements of a cheese and chips speciality.
Anyways, it is free in before 10pm, but a wallet-molesting €10 thereafter. Enjoy!!
Channel One MySpace
Patrick Kelleher MySpace
Hunter-Gatherer MySpace


Leigh

Wednesday 10 March 2010

An Open Letter to the Sun Newspaper

To whom it may concern,

On Monday March 8th 2010, the Sun Newspaper ran a banner headline stating "On a scale of 1 to 5, Venables' child porn rated 4: Sickening Images Claim." To say that it piqued my curiosity would be a great understatement; however I am left to question its judgement at this time.

While understanding the necessity of your company to shift units in order to maintain a healthy business, I believe this copy crosses the line into tacky reporting that severely lowers the tone of the current situation surrounding Jon Venables - a cheap headline for a cheap paper.

Child pornography is a sickening crime and if guilty, perpetrators deserve to be punished with the strongest possible sentence; however rating child pornography on a scale of 1 to 5 not only trivialises the crime, it also belittles the severe trauma that the victims endure - a trauma that the victims must live with for the rest of their lives.
This is not a game whereby the more traumatic the act or image, the higher the scorecard for the criminal. To portray this issue in such a way could be seen to reduce the seriousness of this heinous act and that is something that must never occur.

Should we - as a society - wish to maintain some level of civility, then this crime should never be reduced to the depths of scorekeeping as if it were some sort of Sunday afternoon lark.


Yours sincerely,
Leigh O'Gorman
Easy Music for Difficult Ears

Sunday 7 March 2010

Sandra Bullock: Worst Actress Award 2010

Star of a listless number of rambling rom-coms, Sandra Bullock, picked up the Razzie for Worst Actress last night for her film All About Steve and sportingly turned up at the ceremony to not only pick up her statue and give a speech, but also gave a free copy of the DVD to every member of the audience.
She is also nominated for Best Actress at tonight's Oscars for her role in The Blind Side.




Leigh

Thursday 4 March 2010

An Open Letter to Shockwaves NME / Spotify

For those of you that do not know, Shockwaves NME have over the last month been running, non-stop, dreadful adverts for first the NME Awards 2010 and now Shockwaves NME Playlist.
The storyline is specifically "you look ugly and you need Shockwaves to look good and to listen to this music/go to this event". Well fuck you Shockwaves NME; fuck your company, fuck your playlist, fuck your events and fuck your brainless marketing shtick and stuff it to someone so fucking stupid, that they won't mind getting a lobotomy to the fucking Maccabees.
Anyway, rather than keep getting angry, I wrote them a nice letter instead.

To whom it may concern,

As a user of Spotify in the UK, I have recently been subjected a vast amount of repetitive abominations that are the latest adverts for Shockwaves NME. After having to sit through weeks of the dreadful faux-interview style pieces for some music industry styled wankfest, where all the great cocks of the world unite to gloriously fuck themselves on a semen-stained red carpet, I am now being bombarded by the voice of some prickshitter telling me my hair is shit.

I know my hair is shit – I see myself in the mirror every day and it frightens not only me, but the rats that sit upon my windowsill and I can guarantee that no amount of Shockwaves is going to cure it.


Whomever came up with this campaign deserves only to be fired with immediate effect. Not only do the “Mirror, Mirror” adverts that are currently being broadcast ad finitum, not make me want to buy in to the Shockwaves brand or purchase any Shockwaves products, they actually make me want to torpedo a trolley of diluted Brylcreem through your office windows in the vain hope that creamy glop will deter you from any future in marketing or promotion.

The adverts also happen to deter me from listening to the Shockwaves NME playlist out of spite. Surely any project written, directed and voiced by such brainless and witness fucking wankers can only be aimed at a similar demographic and thankfully I do not count myself amongst said vapid grouping.

See. Me. I. String. Woords. To. Geth. Er. Buh!!


A note of congratulations though – your painfully poor bullshit machine has finally driven me to buying into Spotify’s premium service; if nothing else, but to get away from the vacuous fucking rambling that is the incessant Shockwaves NME monster.

Good day Sir/Madam – with a little luck, you may never hear from me again and I will – thankfully – be rid of you forever.


Yours Sincerely,
Leigh O’Gorman

Easy Music for Difficult Ears

I think that ought to do the trick....


Leigh

Villagers "Becoming a Jackal"

Bugger - I am something of a lazy fucker at times. After two days of arsing around, I am finally getting to throw up this piece of sweet videoship. Conor O'Brien, formerly of the Immediate, has just released his first single with Domino called "Becoming a Jackal" and it just so happens to be a rather fine song.
He has his début solo album coming soon and should be a wondrous work indeed. Now back to bed, because I am seriously struggling to string a sentence together.



Leigh

Monday 1 March 2010

Easy Music for Difficult Ears Spotify Playlist (March 2010)

Hopefully, this will be the first of a regular item - indeed this is the first monthly Easy Music for Difficult Ears Spotify Playlist. It's structure may make no sense whatsoever, but since when has that ever mattered?

(March 2010)
  1. King Tubby "Crisis Dub" (More Dangerous Dub, 2008 Greensleeves Records)
  2. The Clash "Justice Tonight / Kick it Over" (Super Black Market Clash, 1993 Sony Music Ltd)
  3. Pram "Narwhal" (The Museum of Imaginary Animals, 2000 Domino Recordings Ltd)
  4. Public Image Ltd "Chant (live)" (Peel Sessions; December 1979, 2009 EMI Records Ltd)
  5. Hello Sunshine "Batcaves" (Kap Bambino - Batcaves EP, 2009 Because Music)
  6. Add N to (x) "Incinerator Number 1" (Add Insult to Injury, 2000 Mute Recordings)
  7. Siouxsie and the Banshees "The Staircase (Mystery)" (The Scream Re-mastered Issue, 1978 / 2006 Polydor Ltd)
  8. Fad Gadget "Fireside Favourites" (Fireside Favourites, 1980 Mute Recordings)
  9. Donna Summer "I Feel Love (12-inch Mix)" (The Dance Collection, 1987 UMG Recordings)


Leigh

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