
One thing I've noticed about the local music scene in both Dublin and London (and this may not be a popular view) is the sheer arrogance that is often present amongst its participants - the thought that we
deserve cool purely because of where we come from regardless of the output that is produced ...and I've seen this a lot over the years - an awful lot!! I will not go into the details here, because I could spew my guts for page after page.
This shithead-like arrogance was slammed in face once again on Tuesday night in Cargo, where I witnessed quite possibly the worst band that I have ever seen.
Let it be said now that Advert are simply the most pointless, horrible group to ever take a stage anywhere. They even managed to piss me off before they started by refusing to get on stage until more people arrived - listen to yourselves you dickheads, you're the support band; get up or fuck off!! As a result people got tired of waiting and actually
left before they started!!
When the London based three-piece (two guitars, one bassist, one backing track) pride themselves on apparently making post-punk/industrial music; but one would be hard pushed to tell seeing as how you simply could not hear anything. At first I thought their sound was botched, until I leaned towards the front of the stage and realised that every distortion pedal (there were lots) for each instrument was turned up to 10. Therefore, the audience proceeded to get 15 minutes of solid noise, feedback and fuzz - I really hope they're not trying to be "challenging", because they only succeeded in being very, very boring.
Throughout their set, they posed, pouted, strutted, lamely threw their instruments around, knocked monitors off the stage, played at rock 'n' roll with about as much charisma as dead boy moments after he's thrown his car into a tree.
They played, they finished and then left without saying a word with their guitars and bass leaning into their amps to generate as much feedback as possible. It was so pointlessly loud, that I left the room feeling physically ill, but worst of all when I turned to leave, I was met by an audience that just looked so bored to death and wondering what that show of ineptitude actually was. Maybe if Advert stopped ripping off industrial and post-punk bands from the 70's/early 80's and leaned off the distortion a little, they maybe surprisingly tuneful, but until then...
Advert (MySpace)Occasionally I often am criticised for not being positive enough about music - that's not strictly true, it would be more accurate to say that I have great trouble putting wonderful things into words and this is another one of those situations and it is with that in mind that this night provided me with another first.
At the gig where I caught the worst band I had ever seen, Kap Bambino entered and proved to be the best band that I had ever witnessed. One must be honest here and that I can't remember most of the set, so violent was the show; however I do remember singing (possibly shouting) rather loudly, being thrown around by slightly younger burly people, the vocalist - Caroline Martial - climbing on my shoulders demanding a lift, a stage mosh (during
New Breath), losing my glasses in a sea of people mid-mosh to find them perched precariously between Martial's legs, scores of men whipping out their digital camera's whenever she fell over (
how subtle!!) and me drowning in my own own sweat (kudos to bar staff handing out pint glasses of water to throw over ourselves in the smoking area).
I vaguely remember
Acid Eyes,
Dead Lazer's,
Blacklist, Red Sign being played amongst others and the encore featuring
Hey! This was about an hour of pure ecstasy driven electro-punk (or electro-grunge??) that left me with most incredible feeling of euphoria afterwards ...and I was sober too!!
Blacklist is out now on Because Records. They're back for Glastonbury this year and are also playing the Offset Festival in September.
Check.Them.Out.
Kap Bambino (MySpace)Current listening:Kap Bambino "Blacklist"
Leigh